With her 2000 debut novel, “White Teeth,” Zadie Smith won every award on the block, including The New York Times Book Review Editor’s Choice, The Guardian First Book Award, and the Whitbread First Novel Award. While I found her book to be an undeniably charming read, I wish I’d enjoyed it more.
It all begins with Archie Jones, a middle-aged London man who is on the verge of suicide as the book begins. Through the magic of fate as only a novel can present it, he winds up at a house where he falls in love with Clara Bowden, a 19 year old Jamaican girl. They are married within the first 40 pages of the book, and their life and family become the central focus of “White Teeth.”
At its heart, “White Teeth” is a story about race, told through endearing characters such as Samand Iqbal, a Bangladeshi waiter, and his family. Samand clings to the noble history of his great-grandfather, though said history is much debated. Samand’s strong-willed wife and two sons also play large roles in the book, particularly his eldest son Millat. Millat’s vices and compulsions, not to mention his anger at his father, lead to the books dramatic (if hasty) conclusion.
Smith’s strongest achievement in the book is in the character of Irie, the teenage daughter of Archie and Clara. Irie is chubby, and black, in a society where the western ideal is pale white and super skinny, and she struggles to discover her own self-worth. A particularly wonderful scene occurs when Irie, sandwiched with her loud family on a city bus on the way to the books grand finale, finally explodes. She goes off on a wonderful rant about normal familes vs. her own, and it’s a stitch.
Every family has it’s secrets and it’s problems, regardless of the color of your skin or your accent. (Smith works wonders with the phonetic spellings of much of the dialogue. From Jamaican to Cockney, you can hear every word vividly and it helps to lend the novel some authenticity.) With this as her central theory, Smith’s book is a clever commentary on race, but most importantly, on people, at the end of the millennium.
My main squabbles with the book are minimal. Smith is undoubtedly a talented young writer, and there are unfortunately moments where it seems she’s aware of it and it seems a tad pretentious. In addition, the book seems to divert onto a lot of tangents that are never resolved, or are resolved disappointingly. A plot involving Samand and a schoolteacher having a seedy affair ends abruptly and is never mentioned again. There’s an influx of characters that makes it hard to recall people you’ve met before.
All that said, she has a gift for creating characters you care about, and I would most certainly read other works by her.